Music and Communism

Unlike the picture from my first post, this one I actually took

There are a lot of peculiar things that go on in the Czech Republic that don't make any sense to me. Like the type of music that is popular over here. My brain does not comprehend.

Of course there is the standard European obsession over shitty techno and self-destructive divas, but the vast majority of the radiowaves seem to be playing one huge bar mitzvah mixtape circa late 90s. No joke, multiple people have commented on it and we've been trying to figure out why it's like that.

Obviously there are no fifteen minute horas or Debbie Friedmans on the radio, but I can't tell you how many times I've heard the Macarena, the Locomotion, and yes, it's true, the Cotton Eyed Joe. How did the Cotton Eyed Joe travel all the way to the Czech Republic and how is it still popular?!

This phenomenon doesn't only concern songs with cheesy choreographed dances either. Last week I was at the fabled four story club, and I heard DMX not once, but twice in the same night. You know which song I'm talking about: "Ya'll gonna make me lose my mind, up in here, up in here." It was shocking enough the first time it came on, but the second time was too much.

As with all Czech peculiarities, I'm going to blame this on Communism. The Soviets only left in '89 so the Czechs have been quickly adapting to a proper democracy and globalization. That abrupt change has led to some awkward adjustments and the Communist undertones and still very apparent.

Considering that music was very censored during forty years of Soviet occupation, Czechs didn't have access to shitty music, unless it was given special permission from Stalin. So my theory is that they have been slowly catching up to the rest of the world in terms of pop culture, and that seems apparent to me when I hear "Barbie Girl" in the supermarket, Eiffel 65 on the subway, and Sixpence None the Richer at the club.